The Vinyl Guide 313p

Punk legends Alice Bag and Kid Congo Powers discuss their collaborative lounge project "Juanita and Juan", reflect on the diverse, inclusive LA punk scene, discussing moments like the first Germs show, the "Up in Smoke" filming, and the tight-knit community that reshaped music forever. Topics Include: Alice Bag and Kid Congo Powers introduce collaborative project Known each other for decades from LA punk scene Project started with mysterious Hollywood call for Latin song Characters Juanita and Juan have elaborate fictional backstory Sound described as "loud lounge, punk folk" style Uses electronic music, keyboards, minimal guitar, tropical beats Album titled "Jungle Cruise" released on In the Red Songs are autobiographical, including "Here Comes the Prez" Originally planned for book readings with musical interludes Both authors used music to ease reading nervousness LA punk scene was incredibly diverse and inclusive Lasted only 18 months but reshaped music forever Everyone contributed something to the tight-knit community Alice witnessed first chaotic Germs performance with groceries Both attended "Up in Smoke" Battle of Bands filming Kid visible in background of unreleased Germs footage Darby Crash's death discussed - overdose versus suicide debate Bags single "Survive" now worth $1000 to collectors Both still actively collecting and occasionally selling records Planning more Juanita and Juan material, considering Australia tour Order Juanita and Juan's "Jungle Cruise" vinyl here. Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

SWANS founder Michael Gira discusses his final orchestrated album "Birthing," his creative process, and plans to transition to a simpler musical approach after decades of creating intense, transcendent live performances. Topics Include: Michael introduces "Birthing" as SWANS' final orchestrated album. Future SWANS work will be much simpler. He's 71 and finds intense performances physically demanding. No clear vision yet for his next musical phase. SWANS will tour US in October, then Europe. He finds Australian tours difficult due to jet lag. Triple vinyl/double CD includes concert film and documentary. Marco Porzia filmed the SWANS documentary. Christopher Nicholson filmed a solo performance in Norway. Great shows happen when "the music plays us." Natural venue acoustics enhance the performance experience. Songs transform and lengthen throughout tours. One song evolved to 82 minutes during tour. Three-hour sets leave performers exhausted afterward. Songs begin on acoustic guitar before band elaboration. He listens to guitar sound hole to hear potential harmonics. Directs band through gestures during live performances. The recording happened immediately after European tour ended. Uses same old Guild acoustic guitar for decades. Vinyl editions required some song edits for length. Gira doesn't listen to much music anymore. He art directs all SWANS releases personally. Created unique limited editions with handmade elements. Has done crowdfunding since 2000 for recording budgets. Once recorded personalized songs for top contributors. Will miss the elation of building live crescendos. No current plans for more fiction writing. Reluctant to write autobiography despite family encouragement. Can mentally play entire album from memory. Recently rediscovered early Led Zeppelin's brilliance. Order the SWANS LP "Birthing" here. Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

andrew "falco" falkous discusses the reformation of his band mclusky after a nearly 20-year hiatus, their album on ipecac recordings, the rare catalogue of vinyl releases and more! Topics Include: falco confirms mclusky's new album "the world is still here and so are we." album will be released on may 9th on ipecac recordings. falco feels ipecac is the perfect label home for mclusky. he hopes this is just the end of "act one" for their reunion. falco approaches life expecting problems but finding humor in them. humor is essential to mclusky's songs without becoming a joke band. falco keeps files of potential song titles for future use. songs usually emerge from playing together in the same room. first takes often contain the magic that makes songs special. falco writes most lyrics but damien wrote lyrics for two songs. "your mother is a ballpoint pen thief" came naturally in writing process. falco describes songwriting as writing 1000 bad songs to get 10 good ones. performing gives falco confidence he doesn't have in other social settings. the current mclusky lineup consistently delivers intense live performances. "mclusky do dallas" remains their most popular album by far. steve albini recorded both "do dallas" and "the difference between me and you..." "lightsaber cocksucking blues" started as a throwaway whole lotta rosie parody. the line "flying is fearful of me" just emerged while performing. "she will only bring you happiness" had radio potential until "sex criminal" line. self-sabotage is part of mclusky's essence, even when unintentional. falco considers swearing an essential part of rock music. australia has been mclusky's strongest market since early in their career. melbourne, sydney and brisbane show strongest streaming numbers for mclusky. the band has toured australia approximately ten times since 2002. prescriptions music is falco's label for future of the left and christian fitness. falco considers mclusky "mostly my band" but credits all ' contributions. damien sayell (current bassist) recently recovered from a health scare. jack egglestone (drummer) has jazz training and remarkable listening skills. mclusky reunion began with charity shows for venues like le pub in newport. the current lineup feels like a distinct band, not future of the left playing mclusky songs. recording the new album was spread across three weekends over 18 months. bob weston remastered "mclusky do dallas" giving it a different sheen. future of the left albums and more christian fitness reissues are planned. their favorite songs on the new album are those recorded most recently. the name "mclusky" came from a character in british tv show "grange hill." order the new mclusky album here commercial free, high resolution version of this podcast is available at: www.patreon.com/VinylGuide listen on apple: https://apple.co/2Y6ORU0 listen on spotify: https://spoti.fi/36qhlc8

Damian Kulash of OK Go discusses his evolution from punk music fan, working with Dischord records, and creating boundary-pushing music, vinyl packaging and viral videos Topics Include: New album "And The Adjacent Possible" available for streaming now. Discussion about physical media's role in OK Go's output. OK Go primarily known for videos that "live in the ether." Damian was into physical record packaging during college years. First record was Herbie Hancock's "Rockit," bought at Tower Records. Young Damian damaged the record trying to scratch like DJ. Later played with Herbie Hancock at Obama's 50th birthday party. Musical journey from hip-hop through Prince, Beatles, Led Zeppelin. DC punk scene was influential, with bands playing in cafeterias. Started Level Records at age 15,with funding from Dischord Records. Ian MacKaye lent teenager Damian money to start label. Level Records produced 7-inches and compilation CDs for friends' bands. College made running a record label difficult for Damian. Studied art semiotics at Brown University. Worked as NPR radio engineer and Photoshop retoucher after college. Indifferent to Napster's rise during OK Go's early days. Band finances operated like "roadrunner off the cliff" cartoon. Discussion about gift economy model working for the band. Belief that making things you love matters most, not success. Music sometimes gets overshadowed by video's visual impact. Videos gave OK Go longevity beyond typical radio-hit bands. New album theme explores Stuart Kaufman's "adjacent possible" concept. OK Go doesn't have unified sound; band is "like a mixtape." Treill video was originally made for "nerdiest fans" only. Videos aim to create real events that connect with viewers. Physical pressings of OK Go albums are costly in secondary market. New vinyl features elaborate pop-up sphere in custom packaging. Hidden track on second album deliberately blocked copy-protection software. Record label "Paracadute" means parachute in Italian. Ten-year album gap wasn't intentional; life and pandemic happened. Directed "The Beanie Bubble" film with his wife for Apple. Film directing different from making music videos; less adrenaline-driven. Video production typically takes 3-6 months from concept to completion. Some video ideas abandoned when technology made them commonplace. Order the OK Go LP "And The Adjacent Possible" on vinyl here EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Private Function frontman and instigator Chris Penney discusses the rare, collectable and controversial vinyl art of the band and reveals some details of their new album. Topics Include: Chris Penney injured himself at a house party. Private Function opened for Green Day recently. Bassist Milla broke her ACL during a show. Band got stuck in a cyclone for six days. New album has a shrugging emoji as its title. Album features 2,590 microscopic album covers on the sleeve. Each album copy comes with a magnifying glass. Album name is hidden somewhere in the artwork. Available for pre-order April 23, shipping May 23. Being released in Australia, America, and Europe. Chris started in a band called Mesa Costa. Private Function began with demo recordings at home. First release: "Six Smoking Songs" cassette (100 copies). Reissued with "bin night" sounds layered over it. Another reissue with Christmas carol audio added. Released fake pregnancy tests as band merchandise. "St. Anger" album named after controversial Metallica album. Had to change Spotify artwork due to Metallica similarity. Released an obscure 8-track version of the album. "Whose Line Is It Anyway?" album had Queen-themed artwork. Special "Mystery Bag" vinyl contained bags resembling drugs. Their song "Aubrey Wodonga" became strangely popular in Spain. Released "The First Two Tapes on a 12-inch." Included Subway job applications with the album. 10 copies included handwritten letters of recommendation for Subway. "370HSSV0773H" album featured scratch-off lottery ticket material. Winner received $2,999 and their face on reprints. Needed special gambling exemption to sell in South Australia. Special "gold" edition contained the band ' urine. Another special edition contained beer-making ingredients. album will have 100 special variant copies. Chris was banned from America for six years. Recently received American visa for touring. Australian tour in June, European tour in July. Planning potential U.S. tour later this year. Preorder the new Private Function album here EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

TV writer & Record Collector Andrew Reich discusses his decade-long journey creating a documentary about Los Angeles music legends Redd Kross and the McDonald brothers' musical partnership. Topics Include: How Andrew made the leap from TV writing to filmmaking. Wife's suggestion sparked the documentary idea. Heard Steve McDonald's abduction story on a podcast. TV writing different from documentary making - can't control narrative. Documentary structure doesn't follow traditional storytelling beats. Director learned new storytelling techniques through editing. Documentary required extensive collaboration with editor Aaron Elders. Filming spanned approximately 10 years (2015-2025). Jeff McDonald's hairstyle changed dramatically throughout filming. Andrew discovered Redd Kross through "Teen Babes from Monsanto" album. Became fan at 13, requesting records for radio station. Redd Kross connects diverse bands from Black Flag to Go-Go's. Director considers Redd Kross one of Los Angeles' greatest bands. Documentary coincided with band's current renaissance and revival. Making the movie spurred new Redd Kross creative activity. Band created "Born Innocent" song specifically for the film. Initial filming was sporadic until Kickstarter provided funding. Created oral history structure from interview transcripts. Collected extensive archival material throughout production process. Film deliberately kept under 90 minutes for accessibility. Cut "Desperate Teenage Love Dolls" section despite importance. Film focuses on brothers' relationship rather than complete history. Steve's abduction possibly influenced band's fantasy/dress-up aesthetic. Andrew ires documentaries like "Anvil" and "Dig." Avoids rock critics in documentaries, preferring eyewitness s. Parents' interview about abduction was emotionally challenging. Wishes he had footage of certain legendary shows. New photographs emerged after film completion for eventual Blu-ray. Describes record collecting journey starting in New Jersey. Now focuses on first pressings of albums he loves. Sold unnecessary records to fund first pressing purchases. Australian bands currently producing best new punk music. Prefers seeing smaller shows over expensive arena concerts. Purchased rare Redd Kross/White Flag split single. Film rentals now available worldwide at reddkrossfilm.com/rent Rent "Born Innocent: The Redd Kross Story" here. EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Nuggets compiler Lenny Kaye s Brown Acid creators Lance Barresi and Daniel Hall to celebrate their 20th volume of rescuing forgotten proto-metal singles from the early 70s, discuss rare vinyl discoveries, and preserving music that would otherwise be lost to time. Topics Include: Introduction of Lance Barresi, Daniel Hall, and Lenny Kaye. Lenny explains discovering Brown Acid at Other Music in Manhattan. Lenny compares Brown Acid's impact to how Nuggets defined garage rock. Discussion of what makes Brown Acid unique in music archaeology. How Jac Holzman gave Lenny the original idea for Nuggets. Daniel and Lance never expected Brown Acid to reach 20 volumes. Track-by-track discussion of Brown Acid Volume 20 begins. AfterFlash's "Cookbook" was originally a B-side. 500 copies was typical minimum pressing quantity in the early 70s. Lenny mentions pressing 1500 copies of Patti Smith's first single. Most Brown Acid records didn't come with picture sleeves. Discussion of Polvo, the first Mexican band on Brown Acid. Other international acts include bands from Australia, Sweden, UK, Canada. Three primary regions for Brown Acid music: Youngstown, Detroit, Texas. Osage Lute from Missouri is Lance's hometown connection. Osage Lute drummer Mike Lusher preserved extensive band history materials. Frozen Sun's "Jamm Pt 1" was from original master tape. Some records are so rare they have no Discogs sales history. Many original artists don't details about their recordings. Lenny mentions difficulty finding information when creating original Nuggets. The Banana Bros record isn't even listed on Discogs. Surprising connection: Banana Bros member was father of Permanent Records performer. Many Brown Acid discoveries happen through impossible coincidences. A horror movie soundtrack led to discovering one Brown Acid track. B-sides often better fit the Brown Acid aesthetic than A-sides. Lance must track down artists for proper licensing for each song. Some negotiations take years to complete. Nick Townsend credited for consistent audio mastering across compilations. RTI pressing plant provides consistent quality for Brown Acid vinyl. Paul Major writes the colourful track descriptions for Brown Acid. Lenny wrote the foreword for Brown Acid Volume 20's deluxe edition. Brown Acid 20th anniversary release party happening at Permanent Records Roadhouse. DJ Mr. Dibs creating special Brown Acid mixtape to celebrate milestone. Brown Acid preserves songs that would be lost without the project. The team has enough material licensed for many future volumes. EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Renowned archivist & record producer Zev Feldman, "The Jazz Detective", returns to discusses the Record Store Day 2025 releases of lost jazz recordings from Freddie Hubbard, Charlie Mingus, Bill Evans, Patsy Cline & more!  Topics Include: Introduction of Zev Feldman, nicknamed "the jazz detective" Status of finding lost jazz recordings - feeling optimistic Live recordings create a "renaissance" for jazz enthusiasts Concern about aging jazz colleagues with undiscovered tapes Feldman works with multiple record labels simultaneously Record companies are selective about which projects to release Concerns about tariffs affecting vinyl manufacturing costs Vinyl jazz releases often operate on slim profit margins Resonance Records uses Canadian pressing plant Le Vinylist Six Record Store Day releases coming from Feldman Patsy Cline "Imagine That" was most difficult release to assemble Patsy Cline release required coordinating multiple rights holders Country Music Hall of Fame involved in Patsy Cline project Feldman's personal connection to record stores and vinyl collecting Freddie Hubbard "On Fire" recorded at Blue Morocco (1967) Bernard Drayton engineered the Blue Morocco recordings Blue Morocco club owned by Sugar Hill Records founders Kenny Dorham recordings from same Blue Morocco venue Dorham's recordings especially rare and significant to Feldman Dorham was also a writer who contributed to DownBeat magazine Charles Mingus in Argentina - recordings from 1977 concerts Second Argentina concert added due to popular demand Mingus recordings made less than year before his ALS diagnosis Wes Montgomery with Wynton Kelly Trio reissue with new mastering Original Montgomery release now selling for $100+ in stores Time machine question - which historic jazz gig to attend Discussion of legendary venue Slugs and its important shows Feldman's collection of music memorabilia and venue posters Bill Evans live in Finland recordings (1964-1969) Feldman's 13th Bill Evans production with the Evans Estate Finland recordings feature three different Evans trio lineups Record Store Day helping introduce Evans to younger audiences Plans for Record Store Day Black Friday releases Value of releasing previously unheard music versus reissues EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Photo by Jean-Louis Atlan Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Replay of our 2024 interview with hardore legend Al Barile of SSD and X-Claim! Records. Photos by Alison Braun ------- Society System Decontrol (SSD) self-released several landmark hardcore punk records in the early 80s. Out of print for over 4 decades, SSD has only recently reissued their two masterpieces "The Kids Will Have Their Say" and "Get It Away" on vinyl. SSD founder Al Barile takes us through the making of those records. Topic Include: Interview start The continued popularity of SS Decontrol music Al was a natural leader for the hardcore scene Naturally managing risk Jumping to an album – no singles for SSD 1900 units of “The Kids Will Have Their Say” Self-funding the album, selling the initial pressing Recording “The Kids Will Have Their Say” Was Al happy with the original recordings? Al doesn’t enjoy listening to “The Kids Will Have Their Say” Comparing Trust reissue with original Xclaim Issues getting the tapes back from a label Original pressing of “The Kids….” goes for > $1k Why were there no repressings before the recent Trust reissue CD issue of “Power” Has Al hung onto his records? White cover of “The Kids Will Have Their Say” designed by Bryan Ray Turcotte Original concept & artwork for “The Kids Will Have Their Say” The difference in recording “Get It Away” Was “Get It Away” always envisioned as an EP? The cover songs that SSD performed Original 4800 copies of “Get It Away” Running the X-Claim! label/imprint All X-Claim! bands ran their own vinyl pressings What is the source of the “Get It Away” reissue Will there be reissues of “How We Rock” and “Break it Up” Al’s health update Al wants everyone to get a colonoscopy The SSD book “How Much Art Can You Take?” Interview wrap up Order "The Kids Will Have Their Say" and "Get It Away" on vinyl here. Order the book "How Much Art Can You Take" here. EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Australian icon Tex Perkins takes us through his legendary career, from The Cruel Sea & The Beasts recent works, to wild ARIA award nights, his atrocious habits with vinyl records, reissuing his works on vinyl and lots more.  Topics Include: Tex Perkins rehearsing with The Cruel Sea for gigs. Bringing back "deep cuts" from 30 years ago. Band already prepared the songs before his arrival. Feels like "personal karaoke" returning to old material. Gains fresh perspective on older songs with time. Sometimes writes songs instinctively, not from personal experience. Song "Hard For You" channeled rage he hadn't experienced. Recorded with Kid Congo Powers from Bad Seeds. ARIA Awards incident clarified - didn't stab anyone. Hit someone with a glass at an after-party. Molly Meldrum was present during the altercation. Lived with Jules Normington of Phantom Records. Paid rent by washing Jules' dishes. Had access to Jules' extensive record collection. Especially enjoyed 60s punk and garage rock records. Met John Foy, who was pedantic about record handling. Music scattered across many different record labels. Controls some albums, but not all. Universal owns The Cruel Sea and some Beasts albums. Axeman's Jazz recorded and mixed in six hours. Recent album "Ultimo" recorded differently - basic tracks then laptop. Modern recording allows more experimentation without studio costs. Prefers vinyl album lengths around 18-20 minutes per side. Three Legged Dog being released on three vinyl sides. Spanish reissues were "handshake deals" with unclear ing. Appreciates unashamedly Australian content in newer bands. Newer bands don't hide their Australian accents. Never experienced censorship of his music. Had releases in different regions without his knowledge. No ing from Big Time label after bankruptcy. Performed with The Legendary Stardust Cowboy in 1985. "Ledge" known for having "world's worst record" - Paralyzed. Backed Ledge with James Baker, Spencer Jones, Lachlan McLeod. Ledge progressively stripped during his performance. Threw Frisbee paper plates with drawings into the audience. EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Despite having no manufacturing experience, Nick Phillips (The Breakers, Corduroy Records) impulsively bought Australia's last vinyl pressing equipment, not only saving it from the scrap heap, but creating an Australian vinyl legacy and spirit that continues through today's modern pressing plants. Topics Include: Introduction of Nick Phillips and his vinyl industry background. Early records on Mr Spaceman – label-mates with Cosmic Psychos How Nick impulsively bought a record factory in Sydney. Nick had no manufacturing experience before buying the equipment. The equipment cost approximately $6,000 in 1989-1990. Nick moved the vinyl pressing equipment to Melbourne. Finding an affordable factory space in McKinnon, Melbourne. The labor-intensive nature of hand-pressed vinyl record production. Description of the vinyl manufacturing process with electroplating. Need to import vinyl pellets from California after local supply ended. The machines were 1960s Swedish Alpha Toolex presses. Typical daily production of 500 albums or 800 seven-inches. Discussion of major artists pressed at Corduroy Records. Direct-to-acetate recordings as a significant part of operations. Sonic Youth's visit to record direct-to-acetate - "Melbourne Direct" record The White Stripes recording session that didn't go smoothly. How the White Stripes acetates were transferred to Third Man Records Corduroy's unusual business model of charging majors more. Employee requirement to run their own record labels. Nick's perspective on running a business more for ion. The origin of the Corduroy Records name. Why they added "& Detective Agency" to the business name. Their one failed detective case involving counterfeit Nike socks. Financial challenges of running the pressing plant. How EMI and other labels sued Corduroy for copyright infringement. The factory relocation costs that contributed to closing. Selling the equipment to Obese Records/future Zenith Records. How Hilltop Hoods went from customers to part-owners. The machines are still operating today at Zenith Records. Nick's band The Breakers has been active for 35 years. The Breakers' consistent 1960s R&B sound over decades. The new Breakers album "Lonesome Sundown." Nick's satisfaction at keeping vinyl alive in Australia. Directing listeners to thebreakers.bandcamp.com for music. Interview wrap up EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Wolfgang Flür, formerly of Kraftwerk, and musical collaborator Peter Duggal, discuss musical journeys, memories from the Kraftwerk years, collaborating with of Daft Punk and Joy Division for the new LP "Times" and much more. Topics Include: Introduction of new album "Times" release details First 200 vinyl copies include signed postcards Peter's role as Wolfgang's longtime collaborator since 2015 Peter's musical background in 1980s electronic music Previous collaboration on album "Magazine" released in 2022 Collaborators on "Times" including Boris Blank and Daft Punk Modern vs. old technologies for music production Wolfgang's frustration with German music industry Cherry Red Records ing Wolfgang's career in England EMI's mishandling of Wolfgang's earlier album "Time Pie" Peter's personal relationship with vinyl records Production quality of the vinyl pressing in Czechoslovakia Mastering process with different approaches for vinyl vs. CD Collaborating with Emil Schult, former Kraftwerk visual artist The track "Planet in Fever" originally written in 1993 Wolfgang's approach to revisiting and evolving older songs How Peter and Wolfgang know when a song is "done" Comparing music creation to cooking a meal Process of collaborating with Boris Blank on "Global Youth" Wolfgang's childhood in post-WWII First record purchase: Khachaturian's "Sabre Dance" at age 10 Musical influences from his mother and grandmother First musical instrument was a mouth organ Discovering drums at school at age 16 Deg electronic drum pads for Kraftwerk Wolfgang's friendship with Florian Schneider until his ing Their emotional final meeting at a brewery Working with Thomas from Daft Punk Planned t appearance at a Chicago film festival Live performance concept "Musiksoldat" as anti-war statement Wolfgang and Peter completed their 60th show together Wolfgang's last visit to Australia in 1981 Karl Bartos' importance to Kraftwerk's musical compositions Plans for future performances and promoting the album EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Mike Kennerty of All American Rejects is a serious record nerd! Here he shares about his hobby, his collection, the rarities, the grails and the vinyl catalog of The All American Rejects, Screeching Weasel and more! Topics Include: Introduction to Mike Kennerty of All American Rejects Whether Mike considers himself a "record nerd" Mike's history of collecting vinyl since the 1980s Valuable records in Mike's collection His purchase of Misfits records in the mid-2000s Mike's extensive collection of seven-inches and LPs Finding rare No Effects record in Japan for $12 Mike's approach when visiting record stores His focus on punk records and international versions Whether Mike buys duplicate copies of records Multiple versions of Misfits' "Walk Among Us" in his collection Mike's collection of memorabilia beyond records (zines, flyers) Custom record shelving from closed Hastings stores Holy grail records Mike still wants (Misfits' "Cough/Cool") Most he's paid for a record ($600 for Fear) Thinking about vinyl during recording and production process Creating different masters for digital versus vinyl releases Experience with rejecting test pressings that aren't satisfactory Trouble with recent Screeching Weasel record presdate on All American Rejects' current status Their cover of "Flagpole Sitta" as first new material Band dynamic after not recording together since 2017 singles "Sandbox" and "Easy Come Easy Go" Availability of All American Rejects albums on vinyl Status of master recordings following Universal Music fire Challenge of finding 24-bit masters for vinyl reissues Working with other producers in All American Rejects Mike's early band Mr. Crispy and DIY label Saving Taco Bell wages to release 7-inch records The Oklahoma punk scene in the 1990s Mike's love for All and Descendants Favorite record shops around the world Rarest items in Mike's collection His home audio setup for playing records Future plans for All American Rejects in 2025 EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Martin Rev shares stories of the early days of Suicide, the acetates, recording the debut album, audience reactions, continually creating solo music and more. Topics Include: Discussion of Rev's current relationship with vinyl records Early influences on Suicide's sound Inspiration of Tony Williams Rev's transition from drums to electronic instruments Early Suicide performances with minimal equipment Origins of using "punk" term in early marketing Story of "Rocket USA" acetate at Max's Kansas City Henry Rollins acquiring one of the original acetates Recording process of first Suicide album Equipment used: Farfisa organ and Seagram's rhythm machine Creation of first album's cover art Response to negative early reviews Early tours with Elvis Costello & The Clash Audience reactions and controversies during shows Different versions of "Frankie Teardrop" Rev's creative partnership with Alan Vega Gap between Suicide albums Creation of "Clouds of Glory" solo album Current approach to composing music Discussion of "Demolition Nine" album Rev's process for creating new material How familiarity affects perception of one's work Rev's current artistic aspirations UK shows and festivals Early Suicide set lists Rev's pre-Suicide musical background The band's evolution from chaos to acceptance Rev's perspective on collaboration Creating without commercial expectations The endless nature of musical discovery Rev's focus on continuing to create new work EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Three vinyl nerds – Billy Fields from Warner Music Group, Dillon Smith of Noble Records and Nate Goyer of The Vinyl Guide - discuss the state of vinyl collecting in the year 2025 - trends, changes, evolution and thoughts and predictions on what's to come in the near future. Topics Include: Introduction of Billy Fields as vinyl expert at Warner Music Group Dillon Smith introduced as Noble Records owner Initial discussion of 2024 vinyl market trends Billy mentions focus on maintaining subscriptions with Third Man Records Discussion of discovering Lee Dorsey records through social media Impact of online discovery versus traditional record store hunting Dillon reflects on personal collection growth in 2024 Store inventory mix discussion: 70% used, 30% new Dillon describes efforts to prevent burnout through regular collection buying Changes in modern vinyl collections coming to market Impact of overpressed modern releases on secondary market UK vinyl market showing strongest growth internationally Release schedule alignment with digital affecting market success Taylor Swift's impact on vinyl sales globally Discussion of fewer bands in current charts versus solo artists Evolution of vinyl market since 2006-2008 Economic factors affecting entertainment spending during tough times Local UK pressing plants helping market stability Changes in used record collections coming to market Impact of deceased collectors' collections entering market Discussion of subscription service impact on used market Original pressings versus reissues value discussion Impact of Tone Poet series on Blue Note original prices Quality improvements in modern pressing techniques Availability of better playback equipment today Discussion of collecting original pressings versus reissues Dillon's perspective on psychopathic collector mentality Voice of America collection acquisition mentioned Discussion of historical pressing quantities versus modern numbers Billy's approach to collecting versus hunting original pressings Impact of audio system quality on listening preferences Youth market engagement with vinyl discussion Different collecting approaches between generations Modern retail challenges with Target/Walmart pricing Discussion of variant pressings and market saturation Impact of FOMO buying on market Sustainability in vinyl production discussion PET vinyl alternatives being developed Plant efficiency improvements and environmental considerations Declining genres discussion - 1950s rock and traditional pop Rising interest in country music records Discussion of 90s country potential on vinyl Garth Brooks box set marketing strategy failure Predictions for 2025 vinyl market Direct-to-consumer strategy concerns Sustainability developments in record pressing Personal collection management strategies Discussion of recent records giving participants "goosebumps" Discussion wrap up Video version available on the Noble Records YouTube channel Commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Australian punk pioneer Kim Salmon details his journey from discovering punk in isolated Perth to making extraordinarily rare and collectible records with The Scientists, The Beasts of Bourbon, Smoked Salmon and more! Topics Include: Kim Salmon has new “Smoked Salmon" album coming February 2025 Discovered punk through NME magazine articles in 1975 First heard Ramones after ordering album from Perth record store Formed The Cheap Nasties, one of Perth's first punk bands The Victims formed after watching Cheap Nasties perform Scientists formed when James Baker ed after Victims broke up "Frantic Romantic" single: 1000 copies made on DNA Records Bomp Records in USA ordered 500 copies, never paid Chris Robinson paid $800 for "Frantic Romantic" copy Scientists gained popularity touring Australia's east coast Band appeared on Countdown TV show, refused staged motorcycles Salmon painted original Scientists logo by hand Early Perth punk scene was isolated from eastern Australia Creedence Clearwater Revival influenced young Salmon's musical development Scientists' "Pink Album" recorded as band was breaking up "Weird Love" album re-recorded songs due to copyright issues Numero Group now handles Scientists' reissue campaign More archival Scientists recordings planned for future release Salmon stopped writing songs during Melbourne's 2020 lockdown Recorded pandemic song "Self Replicator" within 5km radius Smoked Salmon started as bushfire fundraiser project Recent Beasts album "Ultimo" features collaborative songwriting James Baker and Salmon still write songs together "Ballad of Rock and Roll" inspired by Mott The Hoople Creates watercolor artwork for Smoked Salmon releases Perth's isolation affected access to new music Scientists performed different styles before settling on sound Currently balancing multiple bands and visual art career Order the new "Smoked Salmon" album from Cheersquad Records EXTENDED, commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

John Rzeznik and Robbie Takac of The Goo Goo Dolls discuss their early punk rock roots, record labels, writing unexpected mega-hits, their harrowing plane crash, vinyl reissues and lots more. Topics Include: John recently recovered from pneumonia and multiple hand surgeries Goo Goo Dolls were heavily influenced by punk rock They listened extensively to The Replacements and Hüsker Dü Band started by renting VFW halls for shows First record cost $750 on Mercenary Records They signed contracts despite lawyer's warning not to Metal Blade discovers and signs band Learned touring lessons watching mistakes of other bands Being rejected by their favourite labels – SST & Twin Tone Band's sound evolved away from early punk style "Name" unexpectedly became their first big hit Legal issues followed success of "A Boy Named Goo" John retreated to LA hotel during difficult period "Iris" and the "City of Angels" soundtrack "Iris" released year before "Dizzy Up The Girl" Taylor Swift later covered "Iris" Survived plane crash in Sicily during USO tour Pilot attempted landing multiple times in storm Band got drunk to fly home next day John took up skydiving to overcome flying fear Initially feared appearing on Howard Stern's show Relationship with Stern's show improved over time John doesn't collect vinyl or music memorabilia Robbie runs Good Charamel Records label John collects vintage recording equipment instead Band criticizes Spotify's payment model Few B-sides exist because John discards incomplete songs Covered Lime Spiders song – will be on release Record store clerks were important musical mentors “A Boy Named Goo” 30th anniversary edition coming Australian tour planned for February Playing seven Australian cities on tour John grew up on greatest hits albums Learned to appreciate Led Zeppelin at age 50 Tickets and vinyl available here! Commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Eddie Spaghetti of the Supersuckers discusses the band's extensive vinyl catalog, releases, vinyl reissues, their unreleased Interscope album while sharing stories about merch table oddities & touring Australia. Topics Include: Introduction and scheduling discussion of interview length Eddie's current location and preparation for Australian tour Discussion of packing requirements for Australian weather Eddie's personal record collection and collecting habits Current vinyl availability of Supersuckers catalog Italian pressing of "Must've Been High" discussion Sub Pop 30th anniversary reissue plans Vinyl merchandise availability at Australian shows Eddie's early music influences and first record purchase Discussion of "My Sharona" as formative musical influence Eddie's relationship with punk rock and The Ramones Development of country music influence on songwriting Songwriting process discussion - starting with song titles Current commissioned songwriting service offering Status update on new Supersuckers album Hard Charger Records deal and label discussion Rights ownership of Supersuckers back catalog Story behind unreleased Interscope Records album Early vinyl releases and singles history Origin of "Eddie Spaghetti" nickname Band member nickname assignment process Instagram bathroom documentation hobby discussion Comparative analysis of worldwide venue bathrooms Merchandise table unusual items and sales Tour expectations with Nashville Pussy Aussie tour details and ticket information See Supersuckers & Nashville Pussy in Australia here Commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Former Black Flag singer/guitarist Dez Cadena traces his path from being the son of a jazz record producer to becoming a pivotal figure in the LA punk scene, discussing the records, rare recordings and eyewitness s in the formation of LA punk rock culture. Topics Include: Interview start, brief discussion of The Saints and Chris Bailey's ing Dez discovered Australian punk through Music Plus record store Early exposure to Ramones, The Damned, and The Saints Describes discovering Radio Birdman alongside The Saints Compares Radio Birdman's sound to Blue Öyster Cult Discusses early AC/DC fandom, specifically Bon Scott era Father Ozzie Cadena was record producer for jazz labels Family moved from New Jersey to California Father had connection to Lighthouse Cafe jazz venue Dez's childhood exposure to music through father's record store Father's recording techniques using minimal microphone setups Connection to Rudy Van Gelder's recording studio Father recorded blues artists like Lightnin' Hopkins Received first drum kit as child from father Influenced by TV show Hee Haw's multi-instrumental performers Father encouraged guitar learning over other instruments Father's reaction to Dez ing Black Flag Met Ron Reyes at garage sale playing punk records First encounter with Black Flag (then called Panic) Discusses early Black Flag recording sessions and demos Explains Louie Louie single release on Posh Boy Records Details Thirsty and Miserable Licorice Pizza promotional record Discusses relationship with Black Flag after leaving band Explains circumstances of Ron Reyes leaving Black Flag Describes chaotic Louie Louie performance after Reyes quit Discusses transition from singing to playing guitar Mentions potential singers considered before Henry Rollins Keith Morris briefly returning for one show Current Flag project and Punk Rock Bowling festival Discusses Punk Rock Museum and giving tours Mentions Johnny Thunders' guitar and other museum exhibits Recommends The Schizophonics band Promotes his current band Dondo Mentions producing 3rd Rate band's recent record See Dez at the Punk Rock Museum - Tickets here Commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

Stephen Malkmus of Pavement and The Hard Quartet supergroup discusses his record collecting history and hobby, the curation and rarities of his collection and more. Topics Include: Discussion of California fires affecting friends and family Malkmus planning Australia tour dates Past experiences touring Australia - good venues and hospitality Planning to watch Australian Open tennis in Melbourne Record store habits in Chicago area Sold eight feet of records to Portland dealer Keeps records with sentimental value over others Considering organizing valuable records for emergency evacuation Owns rare Australian records from Bondi Beach dealer Band of Light, Buffalo, Carson among Australian collection Collecting New Zealand Flying Nun and Expressway records Prefers finding records in wild over online purchases Interest in outsider music and private press records The Shags mentioned as reference for outsider music Gary Higgins' "Red Hash" mentioned as great private press Values original pressings over reissues, condition less important Not particularly interested in promo or white label releases Discusses Led Zeppelin records and Robert Ludwig pressing Moved from LA to Stockton around age eight Played in Stockton punk band Straw Dogs Opened for major hardcore bands like Black Flag Tales of Terror band mentioned as influential Authorities from Stockton discussed - "Soundtrack for Trouble" First vinyl appearance was Slay Tracks release Early Matador Records special releases with dinosaur stamps Influenced by Swell Maps and Beat Happening Early Sub Pop and Homestead Records were influential Hard Quartet project confirmed as ongoing, not one-off Band recorded together, avoiding remote recording methods Discusses song "Renegade" and its evolution Compression techniques used on "Renegade" discussed Looking for Roy Rutanen record while in Australia Found Bram Stoker record in Gold Coast charity shop Uses phone to research records while shopping Values surprise discoveries in record stores most Tickets for The Hard Quartet Australian tour Commercial free, high resolution verion of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8